Welcome! Reminder: This is not a full review (if you want that, that’s cool, and if you’d like I can recommend you something?) but rather a discussion on a few bits of the show. As always, spoilers from here on out.
You have to give it to Ezra Bridger – only he can simultaneously be a character that I rage about, sympathise with, and cry over (in the good way), and he manages all this in one episode. The episode I speak of is, of course, Legacy, the latest in the series and also the mid-season finale.
Just a reminder: this isn’t a full review of the episode. If you want that, that’s totally cool, but you may wish to look to one of our fellow fan-sites. Here we take a look at a few aspects of the show (be warned, in a fairly spoilery way).
As an avid Sabine fan, it takes a lot to draw my attention (not like that, you perv) away from our resident Mandalorian artist. Enter our guest star of Blood Sisters: bounty hunter and fellow street decorator, Ketsu Onyo, voiced by … Gina Torres? How did I not realise this before!
Ketsu Onyo represents a perfect microcosm: first, her design is utterly brilliant. (I realise it’s more than a little iffy to focus on a woman’s appearance, and foremost at that, and I do apologise. Unfortunately I’m not sure I can’t not say anything, it’s just too good). As we learn in this episode’s Rebels Recon, the design was lent/borrowed/yoinked (delete as appropriate) to/by Dave Filoni from the design team for The Force Awakens – which, if I’m not mistaken, marks the first time for the new movie, and the latest in a long and storied tradition* in Star Wars.
*Which by itself is downright bizarre. I can think of no other franchise that utilises its cast-offs, for that’s what it is, to such a degree. Time and again this has happened in a Star Wars product, from the earliest novels and comics, to Star Wars Rebels itself, and even the prequel trilogy. And what’s more, we’re totally okay with it (more or less); this is not so much a testament to the skill of the designers, though they are certainly talented, but it is more an acknowledgement that some designs don’t fit one character, yet fit perfectly for others.
And I loved, too, how Ketsu’s presence essentially put up a mirror to Sabine, to show us more of the character, yes, but showed us what she was, and could have been. And then that mirror, in the form of Ketsu, then proceeded to outshine Sabine. Please don’t mistake me: I loved Sabine in this episode, I merely thought that Ketsu was much more compelling.
But enough about that. I’m excited, too, about what she represents on the show: the underworld.
Even though this show is primarily about rebels, a small band of merry men and women, taking on the big bad of Bespin, the scourge of Serenno, the … naughty … Empire (I ran out, sorry). This series, and this episode in particular, leans heavily of the ‘scum and villainous’ underworld, that which is partly untouched by, and partly created by, the Empire – and I want more of that. Not simply because it’s an interesting moral area – though that, too: by providing morally ambiguous characters, our Spectres are given a much more varied pool of storytelling. That aforementioned pool can become a source of enemies and heroes (much like the Hondo episode), heartache and heart-warming, too, by showing the morally un-ambigious in the ambiguous cess-pit. What I mean by that is, not everyone in the underworld are going to be baddies doing bad things. There could be generally decent people who are either caught up in or pushed towards a life of crime, or good people who aren’t pushed but simply have no choice in the matter, if they wish to be able to afford their next meal (not to mention elevensies. Blimey, they may be crooks but they’re hardly barbarians). And then there’s the civilians who simply carry on living simple lives, somehow, surrounded by these villains – much like Tarkintown in the first series. The show provides the space these stories need to be told.
However, it’s not just a case of ‘these baddies aren’t all bad, after all’, no no. Certainly we can have non-Imperial baddies, I’d just prefer them used in a slightly different way, one that has been done before in the show, and one that ought to be played up more often. And if we look at our own history, our own dictatorship-toppling rebellions and revolutions, we see that such people very much have their own place in the story being told in the galaxy far, far way. They aid the rebellion.
If I may be honest, Star Wars is very much a binary, light and dark story. You have the good and the evil, and – scum and villainy aside – that’s pretty much it. I feel that’s to its detriment. From the French Revolution, to Bosnia, to, well, pretty much any civil war, really, the revolutionaries often had to deal with morally ambiguous* groups to survive, to procure weapons, armaments, food and medical supplies, and even just straight up hire mercenaries to fight their battles. It doesn’t make sense that our rebels wouldn’t do this, or at least that it wouldn’t be shown more often than it has.
*or morally un-ambigious gits.
But more than that, it serves a narrative purpose. While we can’t be too clear on the exact state of affairs, it is fairly reasonable to assume that the rebels on the show are in a precarious position. They’re not a legitimate government, but freedom fighters, and it’s entirely likely that the standard citizen of the Empire, even if said people are not fans of the Empire, would think that they’re little more than petty criminals with delusions of grandeur and/or a lust for power. While, certainly, we the viewers inherently understand this to be false, what better way to demonstrate this (both to us and the general galactic public) than by putting our rebels alongside the actual scum, so that we may see what sets them apart?
And, oh look, the show just happened to (re)introduce the nefarious crime syndicate, the Black Sun. Juuust thought I’d mention it.
Communication – by that I mean, how the characters conveyed themselves to each other, not necessarily the vocal performances – between the various characters, throughout the episode, was all top-notch. (For the most part, I wasn’t a fan of Ezra’s gibbering. She’s not that into you, Ezra, move on, it’s creepy.)
Sabine and Ketsu truly felt like old friends; their dialogue and delivery conveyed an easy familiarity, even when they were facing off against each other, delivering angst- and backstory-heavy dialogue, their shared pain over the loss of their once tight bond*. And later, as they accepted each other’s current professions, that love and mutual respect was both endearing and heart-warming.
*I’m still not entirely certain about just what kind of bond theirs was. From the title, I had assumed that they were blood relatives, but from watching the show, it seems more like they were once strangers who became, I suppose, platonic soulmates. Still, I could be wrong, so apologies for any inacurracies.
Dear Chopper, I’m sorry, but I’m not that into you.
I can’t put my finger on it, exactly, but I think I feel so because his over-active acting seems rather forced and unnatural – and yes, I get the absurdity of that statement. It just doesn’t sit well with me.
And yet, somehow, that overacting actually worked in this episode. And all it took was a walking box.
The communication, as it were, between the two was merely a collection of hooting, squaking, waving and shuddering* but it harkened back to the silent film, Laurel and Hardy-type shenanigans. Wait, no. That would be rather inaccurate: for, in one desperate scene, where Chopper, adrift in the vacuum of space, struggled to regain his place aboard the ship, he and Gonky managed to portray, quite successfully, the fear and the tension of the moment. All without a word being uttered by either. It was a great moment of silent acting, and the animators did a terrific job. It was the first time that his utterances and gesticulations felt appropriate.
*Which makes no sense to me. They’re droids, surely they’d be able to convey the entirety of their thoughts through simple beeps, dots and dits? Why the need to twirl their heads and wave their arms, or – adorably for the gonk – trample on the spot in a shy yet excited manner. While certainly I don’t rule out the usefulness in communicating with body gestures and hand movement (sign language, anyone?), I don’t understand why droids need this. Perhaps they’ve been living around biological beings for too long.
I don’t think I could really take a full Chopper-centric episode, but on this episode, this one brief instance, I became a Chopper fan.
This week on Star Wars Rebels, veteran of The Clone Wars (the show, not the many, many battles – though that too), Hondo Ohnaka, turns up and I literally cannot remember anything else except Hondo. Seriously, that man crops up and takes over everything, the show, your brain; it’s like a disease.
This episode was an odd one, and I don’t mean Hondo. Okay, yes, him too. But after the stellar TV movie, and the last few episodes – particularly with the introduction of the new Inquisitors – it was odd to have the momentum of the show all but shudder to a halt. It’s odd, too, to have this influx of old faces enter the show, especially in one large wave. Continue reading
A Rebel by Any Other Name…
Since the inception of Star Wars, names have been significant to the saga’s story lines. From subtle hints about origins to conveying more obvious character qualities, the names, and changes in names, are selected to expedite the audience’s understanding of the storyteller’s vision. For example, Deak Starkiller from the early story treatments became Luke Skywalker in the final script — a name that maintains the potential power of the character without the burden of the negative connotation inherent in the word killer. Han Solo’s surname gave us immediate insight into the smuggler as a loner who relied on himself for his success (or failure). During the three years between the releases of The Empire Strikes Back and Return of the Jedi, many fans made a connection (although, in this case, an unintended connection) to Darth Vader’s claim to be the father of Luke Skywalker based on an interpretation of Darth Vader as Dark Father, based on variations of the word father in German and Dutch. Star Wars Rebels continues in this rich heritage of nomenclature with the names of its characters, both heroes and villains.
In a recent episode of Star Wars Rebels, the self-proclaimed “Senator-in-Exile” betrayed our heroic band of Rebels by luring them into a trap on Lothal. When his betrayal was fully revealed in “Vision of Hope”, what was expected by some as far back as “Rise of the Old Masters” was proven: Gall Trayvis was an agent of the Empire, tasked with drawing out insurgents who set themselves against the tyrannical government.
As the closing credits of “Vision of Hope” rolled, I noticed something about Brent Spiner’s character that I had failed to realize previously — the spelling of his name included part of the word betrayal. Gall Trayvis had the gall to pretend to fight the Emperor’s tyranny while intentionally bringing the wrath of the Empire down upon small cells on various systems. His bitter deception had been foreshadowed in his own name, a hint to observant fans of the new animated series. After realizing this, I wondered what other clues the storytellers have hidden in their characters’ names. Below are my thoughts about the names of the members of the crew of the Ghost in Star Wars Rebels.
This one seems rather obvious to fans of Star Wars: The Clone Wars, since Cham Syndulla was a freedom fighter of the Twi’lek people in the opening episodes of the third season of the series. Most fans quickly made that connection, amplified by unconfirmed reports that she is the niece of the famed hero of Ryloth. But perhaps more interesting to her role in Rebels is her namesake, the Greek goddess Hera.
Hera is the goddess of love and marriage in Greek mythology. She is seen as the protector of the home and family, especially in nurturing and providing for children under their mother’s care. As the captain and pilot of the Ghost, Hera manages her “household” by seeing to their care and growth while under her protective wing. Early in the series, Hera convinces Kanan of his responsibility to train Ezra, repeatedly reminding him of his need to begin the boy’s training.
Hera is the mother figure of the crew of the Ghost. She will both protect and push her “family” to rise to reach their potential, as individuals and as a collective unit.
The young, artistic explosives-expert of the Ghost’s crew shares her surname with a character in the upcoming Star Wars sequel, The Force Awakens, as well as with a Cularin senator whose history is checkered with accusations of CIS sympathies as well as incidents of graffiti on warehouse walls (see Senator Levina Wren). Whether Sabine has any connection to either of these characters is unknown at this point, but with the young Mandalorian’s penchant for artistic explosions and at a hint that her family was negatively affected by the Empire, some significant connection is plausible.
Her given name, however, is rife with meaning — both historically and colloquially. The Sabine women of Italy are credited with aiding the creation of ancient Rome according to folklore passed down over the centuries. Long before the Sabines were subdued by Roman forces in the third century, the fortitude of Sabine women was recognized and prized, first by the republic and later by the empire. In certain circles, the term Sabine is used to describe a lovable girl who is artistically gifted, quick-witted with a tendency towards biting humor, and fiercely loyal. While a “Sabine” may be difficult to get to know, she is worth making the effort.
With these characteristics, it is little wonder that Sabine has already captured the heart of young Ezra Bridger. However, Sabine is certainly not cast as a simple love interest, but as the very heart of the crew. Her fiery disposition pumps energy through the rest of the team.
In a recent interview with Jimmy Mac, writer Henry Gilroy somewhat inadvertently voiced what many already felt to be the case in Rebels, that this series which seems to be told from Ezra’s perspective, bridges the gap between Revenge of the Sith and A New Hope (consult RebelForce Radio “2.20.2015”). Ezra, whose birth coincided with the birth of the Empire (Star Wars Rebels “Empire Day”), provides a new generation of Star Wars fans with insight into the times and circumstances of the original trilogy characters as he introduces Luke, Han, and Leia to the fourth generation of viewers just in time for the seventh movie in the ongoing saga.
The selection of Ezra as his common name may stem from the Biblical character who is credited by students of the Old Testament with restoring the Israelites to their former status by reminding them of the original covenant they had with their God through Moses after they had fallen into captivity because of their failure to faithfully adhere to the statutes of the Law as handed down at Mount Sinai. The Biblical Ezra called his people to return to the Law of Moses by teaching publicly, reorganizing the canonical books and psalms into their commonly accepted order, and possibly even penning the books of 1 & 2 Chronicles as a history of the nation of Israel with a focus on faithfulness with the intention of preparing the people for the culmination of their history through the long-awaited Messiah who would usher in a new hope for the world through the people of Israel.
As such, Ezra connects Star Wars of the past, both the original and prequel trilogies, with Star Wars of the future in a story that centers on the hope for a brighter future based on the promises and prophecies of the “Messianic Age” of the Force.
C1-10P (a.k.a. “Chopper”)
To put it briefly, and bluntly, Chopper is the “cut-up” of the crew of the Ghost. As Dave Filoni described him when introducing him on StarWars.com, “If Artoo is the family dog, Chopper is the cat.” Although an essential member of the team, Chopper’s actions at any given moment is solely focused on doing things his way. His muffled murmurings are patently snide, likely filled with cut-downs, and eschew an amiable grumpiness in the ‘droid who serves the group in a way that best pleases him (perhaps to satisfy some deeply-ingrained sense of self-importance — something unexpected in a unit designed to serve its creators). In a way, Chopper continues in the Star Wars tradition of making ‘droids the most human of the characters of the saga). Maybe most of us are more like Chopper than any other single member of the crew.
I have absolutely no idea where Zeb gets his name. His is the least recognizable name among all the characters in the series. Zeb embodies strength and loyalty combined with a childish mindset that enables him to connect with Ezra like a big brother in the “family unit” on board the Ghost. Not known for his intellectual aptitude, Zeb is at his best when bashing Stormtroopers or teasing his mates. A combination of Wookiee and gecko, his agile strength provides Rebels with a unique character that rounds out this small band of freedom fighters.
Kanan Jarrus (Caleb Dume)
Kanan’s name may have the most complex and intriguing origin of all members of the crew of the Ghost. First introduced to Star Wars fans as a padawan in the Jedi Temple before the Purge, Kanan was formerly known as Caleb Dume (see A New Dawn).
Another name derived from Hebrew Scriptures, Caleb was one of twelve spies sent into the land of Canaan to determine how the Israelites would conquer the land God had promised to them through Abraham. Of all the spies, only Caleb and Joshua returned with an optimistic appraisal of their situation. Even against seemingly insurmountable odds, with fortified cities and giant inhabitants, Caleb tried to rally the army of Israel to invade the land promised to them, saying, “Let us go up at once and occupy it, for we are well able to overcome it,” (Numbers 13.30). However, due to the people’s lack of faith, God prevented Israel from entering the land for another forty years. In the end, of all the soldiers of that generation, only Caleb and Joshua were permitted to enter the land when those forty years of wandering ended. At the age of eighty-five, Caleb led the attack on the city of Hebron, trusting that even in his old age, God would give him the strength to conquer the giants before him.
Even as a padawan, Caleb embodied the same “can do” attitude of his namesake, recognizing the possibility of using the Jedi homecoming signal to warn Jedi away from Coruscant in case of immanent danger. Once Order 66 had been issued, Obi-Wan Kenobi put Caleb’s idea to use, sending out the signal to all Jedi about their betrayal by the Emperor and charging them to conceal themselves in exile for an unspecified period of time. It was at that point that Caleb became Kanan (a homophonous reference to the land the Biblical Caleb was assured he could conquer with supernatural assistance).
Kanan spent the years after Order 66 distancing himself from the Jedi Order, not merely assuming a new name, but casting off many lingering vestiges of the Jedi Code and avoiding using his Force abilities, and specifically his lightsaber, for fear of drawing attention to himself. When Star Wars Rebels premiered with the hour-long televised movie, Spark of Rebellion, Kanan revealed himself as a Jedi by brandishing his lightsaber in the battle to release a group of Wookiees from slavery and allowing his crew mates to escape the Imperial forces converging on their position. His reemergence as a Jedi permitted Yoda to “see” him again, as the Jedi Master stated while Kanan meditated in the Temple on Lothal (“Path of the Jedi”).
As the Biblical Caleb was of the princely tribe of Judah, a tribe from which the greatest leaders of Israel would arise, Kanan is recognized by his team as a leader, especially by Hera herself, who conveyed her trust in his leadership when she confided in Sabine that “Kanan…he knows what he’s doing,” (“Out of Darkness”). Kanan’s renewed trust in the Force that moved him to take on a padawan, even while doubting his own qualifications for doing so, reveal himself to the Empire’s agents set on destruction of the Jedi, and self-sacrifice in staving off the Inquisitor and Tarkin to enable his friends’ escape (“Call to Action”) will eventually result in Kanan taking the lead in allying his team with other Rebel cells, bringing about the emergence of the Rebel Alliance.
Kanan emulates the help this small band of Rebels needs if they are going to survive against the growing Galactic Empire and eventually bring about the fall of Palpatine’s tyrannical rule.
…Would Smell as Free.
While there are other names in this animated series that suit their characters well — Kallus is truly a calloused individual and it seems that much of the rebellion hinges on the mysterious character known as “Fulcrum” — the evidence that the names of the main heroes of this series fit their personas is a testimony to the depth of writing present in the conceptualization and realization of this addition to Star Wars canon. I, for one, am looking forward to more tributes to the mythos of Star Wars which has lent to its longevity throughout my lifetime. Certainly, “Star Wars is forever!”