Tag Archives: Gina Torres

On Rebels, Chopper Becomes A Double Act

Just a reminder: this isn’t a full review of the episode. If you want that, that’s totally cool, but you may wish to look to one of our fellow fan-sites. Here we take a look at a few aspects of the show (be warned, in a fairly spoilery way).

As an avid Sabine fan, it takes a lot to draw my attention (not like that, you perv) away from our resident Mandalorian artist. Enter our guest star of Blood Sisters: bounty hunter and fellow street decorator, Ketsu Onyo, voiced by … Gina Torres? How did I not realise this before!

Did you not get the memo?


Ketsu Onyo represents a perfect microcosm: first, her design is utterly brilliant. (I realise it’s more than a little iffy to focus on a woman’s appearance, and foremost at that, and I do apologise. Unfortunately I’m not sure I can’t not say anything, it’s just too good). As we learn in this episode’s Rebels Recon, the design was lent/borrowed/yoinked (delete as appropriate) to/by Dave Filoni from the design team for The Force Awakens – which, if I’m not mistaken, marks the first time for the new movie, and the latest in a long and storied tradition* in Star Wars.

*Which by itself is downright bizarre. I can think of no other franchise that utilises its cast-offs, for that’s what it is, to such a degree. Time and again this has happened in a Star Wars product, from the earliest novels and comics, to Star Wars Rebels itself, and even the prequel trilogy. And what’s more, we’re totally okay with it (more or less); this is not so much a testament to the skill of the designers, though they are certainly talented, but it is more an acknowledgement that some designs don’t fit one character, yet fit perfectly for others.

Though to be honest, I think this looks good on anyone.

Though to be honest, I think this looks good on anyone.

And I loved, too, how Ketsu’s presence essentially put up a mirror to Sabine, to show us more of the character, yes, but showed us what she was, and could have been. And then that mirror, in the form of Ketsu, then proceeded to outshine Sabine. Please don’t mistake me: I loved Sabine in this episode, I merely thought that Ketsu was much more compelling.

But enough about that. I’m excited, too, about what she represents on the show: the underworld.

Even though this show is primarily about rebels, a small band of merry men and women, taking on the big bad of Bespin, the scourge of Serenno, the … naughty … Empire (I ran out, sorry). This series, and this episode in particular, leans heavily of the ‘scum and villainous’ underworld, that which is partly untouched by, and partly created by, the Empire – and I want more of that. Not simply because it’s an interesting moral area – though that, too: by providing morally ambiguous characters, our Spectres are given a much more varied pool of storytelling. That aforementioned pool can become a source of enemies and heroes (much like the Hondo episode), heartache and heart-warming, too, by showing the morally un-ambigious in the ambiguous cess-pit. What I mean by that is, not everyone in the underworld are going to be baddies doing bad things. There could be generally decent people who are either caught up in or pushed towards a life of crime, or good people who aren’t pushed but simply have no choice in the matter, if they wish to be able to afford their next meal (not to mention elevensies. Blimey, they may be crooks but they’re hardly barbarians). And then there’s the civilians who simply carry on living simple lives, somehow, surrounded by these villains – much like Tarkintown in the first series. The show provides the space these stories need to be told.

However, it’s not just a case of ‘these baddies aren’t all bad, after all’, no no. Certainly we can have non-Imperial baddies, I’d just prefer them used in a slightly different way, one that has been done before in the show, and one that ought to be played up more often. And if we look at our own history, our own dictatorship-toppling rebellions and revolutions, we see that such people very much have their own place in the story being told in the galaxy far, far way. They aid the rebellion.

If I may be honest, Star Wars is very much a binary, light and dark story. You have the good and the evil, and – scum and villainy aside – that’s pretty much it. I feel that’s to its detriment. From the French Revolution, to Bosnia, to, well, pretty much any civil war, really, the revolutionaries often had to deal with morally ambiguous* groups to survive, to procure weapons, armaments, food and medical supplies, and even just straight up hire mercenaries to fight their battles. It doesn’t make sense that our rebels wouldn’t do this, or at least that it wouldn’t be shown more often than it has.

*or morally un-ambigious gits.

But more than that, it serves a narrative purpose. While we can’t be too clear on the exact state of affairs, it is fairly reasonable to assume that the rebels on the show are in a precarious position. They’re not a legitimate government, but freedom fighters, and it’s entirely likely that the standard citizen of the Empire, even if said people are not fans of the Empire, would think that they’re little more than petty criminals with delusions of grandeur and/or a lust for power. While, certainly, we the viewers inherently understand this to be false, what better way to demonstrate this (both to us and the general galactic public) than by putting our rebels alongside the actual scum, so that we may see what sets them apart?

And, oh look, the show just happened to (re)introduce the nefarious crime syndicate, the Black Sun. Juuust thought I’d mention it.



I take back what I said earlier. Though Ketsu was brilliant, Sabine is still my favourite. HOW DARE YOU HURT HER, KETSU?

Communication – by that I mean, how the characters conveyed themselves to each other, not necessarily the vocal performances – between the various characters, throughout the episode, was all top-notch. (For the most part, I wasn’t a fan of Ezra’s gibbering. She’s not that into you, Ezra, move on, it’s creepy.)

Sabine and Ketsu truly felt like old friends; their dialogue and delivery conveyed an easy familiarity, even when they were facing off against each other, delivering angst- and backstory-heavy dialogue, their shared pain over the loss of their once tight bond*. And later, as they accepted each other’s current professions, that love and mutual respect was both endearing and heart-warming.

*I’m still not entirely certain about just what kind of bond theirs was. From the title, I had assumed that they were blood relatives, but from watching the show, it seems more like they were once strangers who became, I suppose, platonic soulmates. Still, I could be wrong, so apologies for any inacurracies.




Dear Chopper, I’m sorry, but I’m not that into you.

*Muffled* okie doke.

I can’t put my finger on it, exactly, but I think I feel so because his over-active acting seems rather forced and unnatural – and yes, I get the absurdity of that statement. It just doesn’t sit well with me.

And yet, somehow, that overacting actually worked in this episode. And all it took was a walking box.

You rang?

The communication, as it were, between the two was merely a collection of hooting, squaking, waving and shuddering* but it harkened back to the silent film, Laurel and Hardy-type shenanigans. Wait, no. That would be rather inaccurate: for, in one desperate scene, where Chopper, adrift in the vacuum of space, struggled to regain his place aboard the ship, he and Gonky managed to portray, quite successfully, the fear and the tension of the moment. All without a word being uttered by either. It was a great moment of silent acting, and the animators did a terrific job. It was the first time that his utterances and gesticulations felt appropriate.

I’ve never been so rooted to my seat as when Chopper – wasn’t.

*Which makes no sense to me. They’re droids, surely they’d be able to convey the entirety of their thoughts through simple beeps, dots and dits? Why the need to twirl their heads and wave their arms, or – adorably for the gonk – trample on the spot in a shy yet excited manner. While certainly I don’t rule out the usefulness in communicating with body gestures and hand movement (sign language, anyone?), I don’t understand why droids need this. Perhaps they’ve been living around biological beings for too long.

I don’t think I could really take a full Chopper-centric episode, but on this episode, this one brief instance, I became a Chopper fan.

Michael Dare

Dallas Fan Days October 19-21

Dallas Fan Days expands, makes changes to growing show.

This month’s Dallas Fan Days expands to three days to better accommodate it’s growing fan base and give attendees more choices. With actor Bruce Campbell topping the media list and comic book legend Stan Lee leading the artists’ roster, the show will kick off at 2 p.m. Friday, Oct. 19, and run through Sunday, Oct. 21, at the Irving Convention Center in Irving, Texas.

To protect customers from inclimate weather, outside lines will be routed through the center’s covered garage, and an outdoor food court in that area will ease congestion in the exhibit hall. A large influx of attendees at Dallas Comic Con in May caught organizers by surprise, but they hope these and other changes will alleviate some of the issues that resulted.

“Basically, the number of customers doubled from 10,000 in February to 20,000 at our May show, causing some longer than expected lines and making it hard for some fans to see everything they wanted,” said Ben Stevens with C2 Ventures, which produces three shows annually at the Irving facility. “By moving the lines, adding concessions and scheduling a third day, we hope to create a more inviting and fun experience for our customers.”

Friday attendees will be among the first to witness the reunion of Star Wars bad boys Ian McDiarmid and Dave Prowse, who led the evil empire as “The Emperor Palpatine” and “Darth Vader,” respectively, in several of the popular movies. Also on hand Friday to sign autographs and meet fans will be actors Anne Lockhart from the original Battlestar Galactica and Donnie Dunagan, the voice of “Bambi” in the Disney classic. Fans unable to attend on Friday can catch all four actors on Saturday and Sunday.

Returning for his third appearance at our shows is Stan Lee, co-creator and writer of the Amazing Spider-man, Iron Man, Thor, Fantastic Four, Incredible Hulk and X-Men. In addition to being the former president of Marvel Comics, he’s well known in the industry as a writer, editor, actor, producer and publisher. Mr. Lee will sign autographs all three days and conduct a Q&A session at 6:30 p.m. Friday in the fourth-floor auditorium.

The three-day event will feature 300 vendor booths in the exhibit hall and fourth floor lobby, as well as two dozen artists, including Ralph Bakshi, award-winning animator and director of Fritz the Cat, Heavy Traffic and Wizards; legendary artist Al Plastino, co-creator of Supergirl, Brainiacs and Legion of Super-Heroes; and Eisner Award-winner Frank Cho, creator and artist of Liberty Meadows.

Mr. Campbell, who stars as “Sam Axe” in television’s Burn Notice, appears Saturday only. He also played “Ash” in the Evil Dead series, and starred in Bubba Ho-Tep, Sam Raimi’s Spider-Man movies and Sky High. In addition to signing autographs, Mr. Campbell will do a Q&A session starting at noon Saturday.

Media guests appearing Saturday and Sunday include Robert Englund of “Freddy Krueger” fame; Lance Henriksen, best known as “Bishop” in the Alien movies; Felicia Day from The Guild; and Sean Astin, who played “Sam” in The Lord of the Rings movies. Also, voice actress Tara Strong, whose credits include My Little Pony and Rugrats, Steven Yeun from The Walking Dead, and Warehouse 13 actor Eddie McClintock.

Making a rare convention appearance will be Gina Torres from the short-lived but highly popular Firefly series/Serenity movie, along with her on-screen husband, Alan Tudyk. Also appearing both days are Starship Troopers stars Dina Meyer and Casper Van Dien.

During Fan Days, the actors will be available to sign autographs, talk with fans and answer questions during special panel discussions, which are free to attend as space allows. Media guests charge a fee for autographs and fans also may pay to have their photo taken with select actors by a professional photographer.

Admission to Dallas Fan Days is $20 Friday, $30 Saturday and $20 Sunday. A three-day pass also is available for $60. Children’s tickets are $5 when accompanied by a paying adult. VIP passes for this show are sold out. Tickets may be purchased at the box office beginning at 1 p.m. Friday, 9 a.m. Saturday and 10 a.m. Sunday. Coupons for $5 off can be found in The Dallas Observer, Fort Worth Weekly and other North Texas newspapers.

Show hours are 2 to 8 p.m. Friday, 11 a.m. to 7 p.m. Saturday and 11 a.m. to 5 p.m. Sunday. The Irving Convention Center, 500 W. Las Colinas Blvd., is at the intersection of SH114 and Northwest Highway in Irving, Texas.

For more information on events and schedules, please visit the website at www.fandays.com.