Tag Archives: Sabine

Take a 2nd Look – A Shot by Shot Rebels Season 3 Trailer Breakdown

R (1)Over the Lucasfilm logo we hear lightsabers ignite, Darth Vader breathing, and Ezra yelling Ahsoka’s name, immediately evoking the end of Season 2 and the mysterious fate of Ahsoka.

R (2) R (3)“Battles leave scars. Some you can’t see.” Continue reading

Impending Doom Creeps Up On The Rebels. Wait, No That’s Spiders. It’s Spiders.

Take heed: This is not a full review. If you want that, WHAT IS WRONG WITH YOU – I mean, sure. Different strokes and all that. Anyway, we just take a look at one or two things. Written with the assumption that you’ve seen the show and as always, SPOILERS from here on out. Also there will be spiders.

This week on Rebels, it is the calm before the storm. Except no one told the Spectres that because their idea of calm includes fighting giant spiders. It’s all relative, I guess. This was a fairly light episode with much of the time spent brooding on what’s to come. Well, it boded; there was much boding done. But let’s not write off the entire episode just like that; there were some interesting things I’d like to discuss.

I warned you that there’d be blood spiders.

This being an episode centred on mystery (and horror, but nevermind that right now), I thought it would be a good idea to focus on several things that I found puzzling. Because instead of pretending to be all-knowing and wise, it’s far better to be aware that you do have gaps in your understanding, and accept that. For indeed accepting your failures is the truly wise thing and the mark of a great person. So if I focus on these things and you want to, I don’t know, think of me as great and wise, who am I to tell you not to? Continue reading

On Rebels, Our Heroes Add Kidnap And Duress To The List Of Charges

Howdy! Friendly reminder: this is not a full review. If you want that, that’s cool, and we can recommend a few sites if you’d like. Instead, we take a closer look at some aspects of each episode. And as always, SPOILERS from here on out.

I mean, that’s if the Empire doesn’t get them for the willful destruction of government property they’ll be dealing at Yavin three years from now. Yep, on this week’s Rebels, The Protector of Concord Dawn, our heroes need safe passage. Rather than negotiate – like the Republic they’re trying to restore would – or failing that, finding somewhere else to go, they attack a (reasonably legitimate) military/civilian third party target and strong-arm them into compliance. Go good guys!

Pictured: aggressive negotiations

Diplomacy Fail

In times gone by on our very real and definitely not a Matrix Earth, whenever two warring parties desired truce, they would provide certain assurances that neither would kick up a fuss. Let’s provide some further detail. It’s AD800, and a thousand-strong band of Norse warriors have invaded the Saxon kingdom of Wessex. They’ve plundered and rampaged across the landscape, until they, well, get a bit bored of it, really. They find some easily defensible position and wait for the Saxons to turn up. After a brief battle, the Saxons, led by King Alfred the Great, offers them money to leave. The Norse do so, but to ensure that no further fights ensue, Alfred demands hostages – high ranking jarls or their children. If the Norse come back to fight, those hostages will be killed. (The Norse would of course agree, because this is a normal thing for that time period.)

Sound familiar?

In this episode, our Spectres hope to find a safe route for use in evading the Empire. And so they turn to Concord Dawn, where a group of Mandalorians have set up their home, where our heroes seek peaceful aid with these Mandalorians. It’s like they never read the EU. So of course Kanan and Sabine (mostly Kanan) capture the eponymous Protector*, the leader of the Mandalorians, and use him as leverage against any reprisals by the other Mandos there. Great plan, can’t see that coming back to haunt them anytime soon. Continue reading

Inside the Star Wars Rebels Mid-Season Trailer – Shot by Shot

Star Wars Rebels returns with a vengeance.

During the era of the Clone Wars airing on television, Star Wars fans received the treat of many connections with the greater Star Wars mythology. However, we’ve never seen such an interconnected fireworks display of the Star Wars myth on television until the Star Wars Rebels midseason trailer dropped. With direct connections to the Clone Wars, the prequels, the original trilogy, and The Force Awakens, Star Wars Rebels graduated to an absolute must see for any Star Wars fan.

Rebels is transcending what any Star Wars TV show has ever accomplished previously. Let’s take a look at the trailer:

What follows is a *almost* comprehensive shot by shot analysis of the Star Wars Rebels Season 2 midseason trailer.

Note: TFA spoilers to follow!

Let’s dive in. Continue reading

On Rebels, Chopper Becomes A Double Act

Just a reminder: this isn’t a full review of the episode. If you want that, that’s totally cool, but you may wish to look to one of our fellow fan-sites. Here we take a look at a few aspects of the show (be warned, in a fairly spoilery way).

As an avid Sabine fan, it takes a lot to draw my attention (not like that, you perv) away from our resident Mandalorian artist. Enter our guest star of Blood Sisters: bounty hunter and fellow street decorator, Ketsu Onyo, voiced by … Gina Torres? How did I not realise this before!

Did you not get the memo?

Underworld

Ketsu Onyo represents a perfect microcosm: first, her design is utterly brilliant. (I realise it’s more than a little iffy to focus on a woman’s appearance, and foremost at that, and I do apologise. Unfortunately I’m not sure I can’t not say anything, it’s just too good). As we learn in this episode’s Rebels Recon, the design was lent/borrowed/yoinked (delete as appropriate) to/by Dave Filoni from the design team for The Force Awakens – which, if I’m not mistaken, marks the first time for the new movie, and the latest in a long and storied tradition* in Star Wars.

*Which by itself is downright bizarre. I can think of no other franchise that utilises its cast-offs, for that’s what it is, to such a degree. Time and again this has happened in a Star Wars product, from the earliest novels and comics, to Star Wars Rebels itself, and even the prequel trilogy. And what’s more, we’re totally okay with it (more or less); this is not so much a testament to the skill of the designers, though they are certainly talented, but it is more an acknowledgement that some designs don’t fit one character, yet fit perfectly for others.

Though to be honest, I think this looks good on anyone.

Though to be honest, I think this looks good on anyone.

And I loved, too, how Ketsu’s presence essentially put up a mirror to Sabine, to show us more of the character, yes, but showed us what she was, and could have been. And then that mirror, in the form of Ketsu, then proceeded to outshine Sabine. Please don’t mistake me: I loved Sabine in this episode, I merely thought that Ketsu was much more compelling.

But enough about that. I’m excited, too, about what she represents on the show: the underworld.

Even though this show is primarily about rebels, a small band of merry men and women, taking on the big bad of Bespin, the scourge of Serenno, the … naughty … Empire (I ran out, sorry). This series, and this episode in particular, leans heavily of the ‘scum and villainous’ underworld, that which is partly untouched by, and partly created by, the Empire – and I want more of that. Not simply because it’s an interesting moral area – though that, too: by providing morally ambiguous characters, our Spectres are given a much more varied pool of storytelling. That aforementioned pool can become a source of enemies and heroes (much like the Hondo episode), heartache and heart-warming, too, by showing the morally un-ambigious in the ambiguous cess-pit. What I mean by that is, not everyone in the underworld are going to be baddies doing bad things. There could be generally decent people who are either caught up in or pushed towards a life of crime, or good people who aren’t pushed but simply have no choice in the matter, if they wish to be able to afford their next meal (not to mention elevensies. Blimey, they may be crooks but they’re hardly barbarians). And then there’s the civilians who simply carry on living simple lives, somehow, surrounded by these villains – much like Tarkintown in the first series. The show provides the space these stories need to be told.

However, it’s not just a case of ‘these baddies aren’t all bad, after all’, no no. Certainly we can have non-Imperial baddies, I’d just prefer them used in a slightly different way, one that has been done before in the show, and one that ought to be played up more often. And if we look at our own history, our own dictatorship-toppling rebellions and revolutions, we see that such people very much have their own place in the story being told in the galaxy far, far way. They aid the rebellion.

If I may be honest, Star Wars is very much a binary, light and dark story. You have the good and the evil, and – scum and villainy aside – that’s pretty much it. I feel that’s to its detriment. From the French Revolution, to Bosnia, to, well, pretty much any civil war, really, the revolutionaries often had to deal with morally ambiguous* groups to survive, to procure weapons, armaments, food and medical supplies, and even just straight up hire mercenaries to fight their battles. It doesn’t make sense that our rebels wouldn’t do this, or at least that it wouldn’t be shown more often than it has.

*or morally un-ambigious gits.

But more than that, it serves a narrative purpose. While we can’t be too clear on the exact state of affairs, it is fairly reasonable to assume that the rebels on the show are in a precarious position. They’re not a legitimate government, but freedom fighters, and it’s entirely likely that the standard citizen of the Empire, even if said people are not fans of the Empire, would think that they’re little more than petty criminals with delusions of grandeur and/or a lust for power. While, certainly, we the viewers inherently understand this to be false, what better way to demonstrate this (both to us and the general galactic public) than by putting our rebels alongside the actual scum, so that we may see what sets them apart?

And, oh look, the show just happened to (re)introduce the nefarious crime syndicate, the Black Sun. Juuust thought I’d mention it.

Communication

(Sabine)

I take back what I said earlier. Though Ketsu was brilliant, Sabine is still my favourite. HOW DARE YOU HURT HER, KETSU?

Communication – by that I mean, how the characters conveyed themselves to each other, not necessarily the vocal performances – between the various characters, throughout the episode, was all top-notch. (For the most part, I wasn’t a fan of Ezra’s gibbering. She’s not that into you, Ezra, move on, it’s creepy.)

Sabine and Ketsu truly felt like old friends; their dialogue and delivery conveyed an easy familiarity, even when they were facing off against each other, delivering angst- and backstory-heavy dialogue, their shared pain over the loss of their once tight bond*. And later, as they accepted each other’s current professions, that love and mutual respect was both endearing and heart-warming.

*I’m still not entirely certain about just what kind of bond theirs was. From the title, I had assumed that they were blood relatives, but from watching the show, it seems more like they were once strangers who became, I suppose, platonic soulmates. Still, I could be wrong, so apologies for any inacurracies.

Chopper

'Sup.

‘Sup.

Dear Chopper, I’m sorry, but I’m not that into you.

*Muffled* okie doke.

I can’t put my finger on it, exactly, but I think I feel so because his over-active acting seems rather forced and unnatural – and yes, I get the absurdity of that statement. It just doesn’t sit well with me.

And yet, somehow, that overacting actually worked in this episode. And all it took was a walking box.

You rang?

The communication, as it were, between the two was merely a collection of hooting, squaking, waving and shuddering* but it harkened back to the silent film, Laurel and Hardy-type shenanigans. Wait, no. That would be rather inaccurate: for, in one desperate scene, where Chopper, adrift in the vacuum of space, struggled to regain his place aboard the ship, he and Gonky managed to portray, quite successfully, the fear and the tension of the moment. All without a word being uttered by either. It was a great moment of silent acting, and the animators did a terrific job. It was the first time that his utterances and gesticulations felt appropriate.

I’ve never been so rooted to my seat as when Chopper – wasn’t.

*Which makes no sense to me. They’re droids, surely they’d be able to convey the entirety of their thoughts through simple beeps, dots and dits? Why the need to twirl their heads and wave their arms, or – adorably for the gonk – trample on the spot in a shy yet excited manner. While certainly I don’t rule out the usefulness in communicating with body gestures and hand movement (sign language, anyone?), I don’t understand why droids need this. Perhaps they’ve been living around biological beings for too long.

I don’t think I could really take a full Chopper-centric episode, but on this episode, this one brief instance, I became a Chopper fan.

Michael Dare